Hans BREDER

(1935-2017)

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Publikationen

Donald Kuspit: Hans Breder – Works / Arbeiten 1964-2000

Hrsg. v. Heiner Hachmeister anlässl. der Retrospektive im Museum of Art, University of Iowa, 2002, Münster 2002, dt./engl., 40 S., 15 Farb-, 4 schw.w. Abb. , 27 x 22,5 cm, Aufl. 1000 Ex. ISBN 978-3-88829-026-8. Preis: 15,- €

Heiner Hachmeister (Hg.): Ana Mendieta / Hans Breder

A relationship in documents. With essays by Klaus-Peter Busse and Herman Rapaport. Intermedia Studies Vol. 3, Dortmunder Schriften zur Kunst, Norderstedt 2010, Engl., 182 S., 69 Farbabb., 24 schw./w., 27 x 19 cm, Hardcover. ISBN 978-3-8391-9810-0 Preis: 58,- € plus Versand

Heiner Hachmeister (Hg.): Ana Mendieta / Hans Breder. Vorzugsausgabe

Vorzugsausgabe von 50 Exemplaren mit einer farbigen Fotoarbeit von Hans Breder La Ventosa (Modell Ana Mendieta), inkjet print on archival photo paper, 1973/2010, subject 10,2 x 15,2 cm, on paper 17,8 x 25,4 cm, numbered and signed by the artist on the reverse. Preis: 250,- € plus Versand

Heiner Hachmeister (Hg.): Hans Breder

Text von Garrett Stewart, Münster 1999, dt./engl., 55 S., 16 Farb-, 4 schw./w. Abb., 25,5 x 21,5 cm, Hardcover, Leineneinband, Aufl. 400 Ex. 978-3-88829-011-4. Preis: 19,- €

Heiner Hachmeister (Hg.): Hans Breder – Threshold States / Sprach-Schwellen

Künstlerbuch, mit Texten und Statements von George Rickey, Anselm Hollo, Michael Kirby, Herman Rapaport, Stephen Foster, Estera Milman, John Hanhardt, Donald Kuspit, Lucio Pozzi, Allen F. Roberts, Antonio R. Damasio, Hans Breder und einer Einführung von Heiner Hachmeister, Münster 1992, engl./dt., Design und Typographie Ab Gratama, 130 S., 105 Abb., davon 42 farb., 26 x 22 cm, Aufl. 600 Ex. ISBN 978-3-88829-110-4. Preis: 34,- €
vergriffen

Heiner Hachmeister (Hg.): Hans Breder – Threshold States / Sprach-Schwellen. Vorzugsausgabe

Hardcover, 400 Ex., vom Künstler num. u. signiert. ISBN 978-3-88829-115-9. Preis: 99,- €

Biografie 

* 1935  Herford – † 2017 Iowa City, Iowa, USA

1953-1955
Schüler von Woldemar Winkler

1959-1960
Architekturstudium, Fachhochschule für Design, Bielefeld

1960-1964
Studium der Malerei bei Professor Willem Grimm, Hochschule für Bildende Künste, Hamburg

1965
Assistent von George Rickey, West Lebanon, New York
Instructor of Art, Summit Art Center, New Jersey

1966
Assistant Professor of Art, The University of Iowa

1968
Founded Intermedia and Video Art Program, The University of Iowa

1970
Co-founded the Center for the New Performing Arts, The University of Iowa

1971
Associate Professor of Art, The University of Iowa

1973/74/76/78
Director, Intermedia Workshop,The University of Iowa, Oaxaca, Mexico

1976
Founded the Corroboree: Gallery of New Concepts

1979
Professor of Art, The University of Iowa

1992
Director, Intermedia Workshop, San Zenone al Po, Italien

1994
Co-director, Intermedia Workshop, Gerrit Rietveld Academie, Amsterdam

1996
F. Wendell Miller Distinguished Professor of Art, The University of Iowa

1998/2001
Visiting Professor, (co-director, Intermedia Workshop), Universität Dortmund

2000
Emeritus Professor, The University of Iowa

2017
gest. in Iowa City, Iowa, USA

Preise und Auszeichnungen

1964
Awarded the „Studienstiftung des Deutschen Volkes“, Fellowship for an eight month residency in New York City

1965
International Artists‘ Seminar, Fairleigh Dickinson University, Madison, NJ

1969
Co-recipient, Rockefeller Foundation Grant to develop intermedia project

1970
Co-recipient, Rockefeller Foundation Grant which supported the CNPA for a five year period

1974
“Ikarus,” Award: Ann Arbor Film Festival

1974-90
Recipient, annual grants from the National Endowment for the Arts, Washington, D.C. to fund Visiting Artists Program

1984
Recipient, New York State Council for the Arts LINE Grant

1987
Recipient, Interdisciplinary Research Grant, The University of Iowa

1990-91
Co-Recipient, Strategic Planning Grant, The University of Iowa

1993
Special Recognition in Painting, „Iowa Artists 1993,“ Des Moines Art Center, Des Moines, Iowa

1995
Best of Show, Edmundson Award in Any Medium, „Iowa Artists 1995,“ Des Moines Art Center, Des Moines, Iowa

1998
Gambrinus Fellowship, Universität Dortmund, Germany

2001
Obermann Scholar, The University of Iowa

2007
Honorary Doctorate, University of Dortmund, Germany

Werke in öffentlichen Sammlungen

• American Association for the Advancement of Science, Washington, D.C.
• Museum of Art, Ball State University, Muncie, Indiana
• Cleveland Museum of Art, Cleveland, Ohio
• J. Paul Getty Museum, Los Angeles
• Hirshhorn Museum and Sculpture Garden, Washington, D.C.
• Houston Museum of Fine Arts, Houston, Texas
• LWL-Museum für Kunst und Kultur, Münster, Germany
• Daimler Art Collection, Berlin, Germany
• Milwaukee Art Center, Milwaukee, Wisconsin
• Museum Ostwall, Dortmund, Germany
• Smithsonian American Art Museum, Washington, D.C.
• Roy R. Neuberger Museum, State University of New York, New York
• The City of Hannover, Hannover, Germany
• The Museum of Modern Art, New York
• The University of Iowa Museum of Art, Iowa City, Iowa
• The Whitney Museum of American Art, New York
• Walker Art Center, Minneapolis, Minnesota

Einzelausstellungen (Auswahl)

2017-18
„Body sculptures“. Fotoarbeiten, Fifty One Fine Art Photography Gallery, Antwerpen, Belgien

2016
„Archetypal diagrams – Pastelle 1986-88“, Hachmeister Galerie, Münster

2015
„Mindscape/The Subtle Body“, Solivagant Gallery, New York
„Hans Breder – 1968 to present“, Galeria Theredoom, Madrid

2014
„Hans Breder – Mind’s Mirror 1964-2014“, Ethan Cohen Gallery, New York

2013
„35 Jahre mit Hans Breder“, Hachmeister Galerie, Münster, Germany
„Kollisionsfelder“, Museum Ostwall im Dortmunder U, Dortmund, Germany
„Jetztzeit – Present Time“, Whitebox Art Center, New York, N.Y.

2012
Hans Breder, Algus Greenspon Gallery, New York

2011
“Weisse Tasse”, Museum of Art, Ball State University, Muncie, Indiana

2009/10
“Inmixing: A Survey of Works from 1964-Present”, Whitebox, New York City

2008
“Ana Mendieta and Hans Breder: Converge,” Lelong Galerie, New York (Duo Exhibition)

2004
Department of Art and Museum of Art, Ball State University, Muncie, Indiana
Mitchell Algus Gallery, New York, New York

2002
University of Iowa Museum of Art, Iowa City

2001
Mitchell Algus Gallery, New York, New York

1999
Hachmeister Galerie, Münster, Germany

1995
Hachmeister Galerie, Münster, Germany

1993
Penine Hart Gallery, New York, New York

1991
Hachmeister Galerie, Münster, Germany

1990
Ruth Siegel Gallery, New York, New York

1989
Schreiber/Cutler, Inc., New York, New York

1988
Schreiber/Cutler, Inc., New York, New York
Hachmeister Galerie, Münster, Germany
American Association for the Advancement of Science, Washington, D.C.

1987
Schreiber/Cutler, Inc., New York, New York
The Fine Arts Center Art Gallery, State University of New York at Stony Brook, New York

1983
The Institute for Art and Urban Resources, Inc., P.S.1, Long Island City, NY

1982
Hachmeister und Schnake Galerie, Münster, Germany

1981
Hachmeister und Schnake Galerie, Münster, Germany

1979
Wolfgang Förster Galerie, Münster, Germany

1973
Illinois Wesleyan University, Bloomington, Illinois

1972
Richard Feigen Gallery, Chicago, Illinoi
Galerie Marcel Liatowitsch, Basel, Switzerland

1970
Richard Feigen Gallery, New York, New York
Richard Feigen Gallery, Chicago, Illinois

1967
Richard Feigen Gallery, New York, New Yor
Richard Feigen Gallery, Chicago, Illinois

1964
Hochschule für Bildende Künste, Hamburg, Germany

Videoausstellungen, Installationen, Performances (Auswahl)

2011
“Geklemmt: Physical Religion,” Theological Reflection & The Pursuit of Ideals. The University of Chicago Divinity School

2010
“Corpus, What is in Writing is not to be Read” Hans Breder, Herman Rapaport, Elliott Sharp, Whitebox, New York, NY

2008
“Bodily Consciousness: An Alchemical Concert,” ARC Symposium, New York, NY

2006
“Engaging Technology: A History and Future of Intermedia,” Ball State University Museum of Art, Muncie, Indiana
“Zwielicht”, 6th International Bach-Symposium, Dortmund, German
“Alchemies,” School of Art, University of Oklahom
“When I Was A Child,” (Hans Breder, Ted Perry) L’antic Theatro, Barcelona, Spain

2005
“Alchemies,” Centre for the Study of Literature, Theology and Arts, Glasgow, Scotland

2000
“Mass in A-minor for Suitcases,” St. Petri Kirche/Universität Dortmund, Dortmund, Germany; Des Moines Art Center, Des Moines, IA
“My TV Dictionary,” Lowlands Festival, The Netherlands
“Hymn to Isis,” Below 45, London

1999
“Penumbra: an opera for suitcases,” Experimental Intermedia, New York, NY
“Anti-City,” De Balie, Amsterdam, The Netherlands
“The Nazi –Loop,” Contact Zones: The Art of the CD-ROM, Cornell University, Ithaca, NY; Hobart and William Smith Colleges, Geneva, NY; Centro de la Imagen, Mexico City; Virginia Film Festival, Charlottesville, Virginia; Dallas Video Festival 1999; The Museum of Contemporary Art, Los Angeles, CA
“Blonde Shadow,“ Global Focus: Human Rights 1998, The University of Iowa, Iowa City, IA

1998
“Point of Reference,” The International Association for Philosophy and Literature, UC- Irvine, CA
“My TV Dictionary,” Paradiso, Amsterdam, The Netherlands

1997
„Art Dirt: The Pseudo Online Network,“ New York, New York
“The Master Race, Short Cuts: Anschlüsse an den Körper,“ Deutsche Arbeitsschutzausstellung der Bundesanstalt für Arbeitsschutz und Arbeitsmedizin, Dortmund, Germany
“Veiled in Flesh, Port: Navigating Digital Culture,“ MIT List Visual Arts Center / Intermedia Studios, The University of Iowa Studios, The University of Iowa

1996
“Shall We Dance?,” CU-SeeMe Performative Conference, 7th International Symposium on Electronic Art, Rotterdam, The Netherlands-Artnetweb / New York / The Guggenheim Museum, New York / The Cooper Union for the Advancement of Science and Art- Vancouver Film School / MUU Media Lab, Helsinki, Finland/ Intermedia Studios,The University of Iowa (Originated by Theoricon Works)

1994
“Janus-Faced,” P.A.R.K. TV, Amsterdam, The Netherlands
“The Magnificent Two,” Contact (Hans Breder, Harry Heyink) Gerrit Rietveld Academie, Amsterdam, The Netherlands
“Dangerous Vision: Video Art and Censorship,” The University of Arizona, Distinguished Lecturer/Multicultural Series, Tucson, Arizona

1993
“My TV Dictionary,” KMSK/ICC, Antwerpen, Belgium
“From Here and There Too: Moscow Postcards 1989,” Vancouver Art Gallery, Vancouver, Canada

1992
“From Here and There Too: Moscow Postcards 1989,” Filmoteca de Andalucia, Cordoba, Spain; Statens Kunstakademi, Oslo, Norway; Pittsburgh Filmmakers, Pittsburgh, Pennsylvania; Bilbao Bizkaia Kutxa, Bilbao, Spain; Art Space, San Fransisco, California; Manifesto, Sevilla, Spain; Manifesto, Granada, Spain; Manifesto, Malaga, Spain; Vancouver Art Gallery, Vancouver, Canada

1991
“From Here and There Too: Moscow Postcards 1989,” Whitney Biennial Exhibition, Whitney Museum of American Art, New York, New York; Cinema Alternative, American Cinematheque, Directors Guild Theatre, Hollywood; Cornell Cinema, Ithaca, New York; Thorne Art Gallery, Keene, New Hampshire; Institute for North American Studies, Barcelona, Spain; IVAM Centre Julio Gonzales, Valencia, Spain

1990
“My TV Dictionary: The Drill,” NON%*@#&!SENSE, Whitney Museum of American Art, New York,
New Video Works 1983-1990, Middlebury College, Middlebury, VT
“Under a Malicious Sky,” Image Farm, Hiroshima, Japan; Spirit Square Center for the Arts, Charlotte, NC; Art Center of Southeast Texas, Beaumont, TX; Cornell Cinema, Ithaca, NY; Vancouver Art Gallery, Vancouver, Canada; Georgia Museum of Art, Athens, GA; Caja de Zamora, Zamora, Spain; Weatherspoon Art Gallery, University of North Carolina/ Greensboro, Greensboro, NC; National Gallery of Canada, Ottawa, Canada; Universidad de Salamanca, Salamanca, Spain; Museum of Modern Art, Rio de Janeiro, Brazil; Savaasi Cineclub, Belo Horizonte, Brazil; Nabuco Foundation, Recife, Brazil; Federal University of Rio Grande do Sul, Porto Allegro, Brazil

1989
“Under a Malicious Sky,” Whitney Biennial Exhibition, Whitney Museum of American Art, New York, New York; Principado de Asturias, Spain; Institude for North American Studies, Barcelona, Spain; Walter Phillips Gallery, Banff Centre School of Fine Arts, Banff, Canada; The 3rd Fukui International Video Biennale, Japan; American Museum of the Moving Image, Astoria, New York

1988
“My TV Dictionary,” The Australian Video Festival, Terrorising the Code – Recent US Video, Artspace, Auckland, New Zealand; Wellington City Art Gallery, Wellington, New Zealand; Mackenzie Art Gallery, Regina, Canada; Vancouver Art Gallery, Vancouver, Canada; Mendel Art Gallery, Saskatoon, Canada; Louisiana Museum of Modern Art, Humlebaek, Denmark; Galerie F15, Moss, Norway; Bergen Commune, Bergen, Norway; Art Center College of Design; Pasadena, California; Centro Insular de Cultura Las Palmas, Canary Islands, Spain; Consejeria de Cultura de Asturias, Oviedo, Spain; Fundacion Municipal de Cultura Valladolid, Spain
“Chorus for Celan”, Hans Breder, Herman Rapaport, International Association for Philosophy and Literature at Notre Dame

1987
“My TV Dictionary,” Whitney Biennial Exhibition, Whitney Museum of American Art, New York, New York; Walter Phillips Gallery, Banff, Canada; Institute of North American Studies, Barcelona, Spain; Cornell University, Ithaca, New York; Neighborhood Film/ Video Project, Philadelphia, Pennsylvania; Krienser Filmtage, Lucerne, Switzerland; Video Free America, San Francisco, California; Centro de Arte Reina Sofia, Madrid, Spain; Plains Art Museum, Moorhead, Minnesota; The Australian Video Festival, Terrorising the Code – Recent US Video, The Australian Centre for Photography, Sydney; The Experimental Art Foundation, Adelaide; The Australian Centre of Contemporary Art, Melbourne; Centre for the Arts, Hobart
“Ursonate 1986,” Emily Harvey Gallery, New York, New York; Video and Language: Video as Language, The University of Iowa Museum of Art, Iowa City, Iowa; Renaissance Society at the University of Chicago, Chicago, Illinois

1986
“Ursonate 1986,“ Video and Language: Video as Language,“ LACE, Los Angeles Contemporay Exhibitions, Los Angeles, California
„My TV Dictionary“, 2nd Videonale, Bonn, Germany
Pictura Minuta, Video-Forum Berlin des NBK, Berlin, Germany
Video Works 1982-1986, UC Video, Minneapolis, Minnesota

1985
“3 x for America,” Talking Back to the Media, Time Based Arts, Amsterdam, The Netherlands
“Anti-City,” Kongelike Danske Kunstakademi, Copenhagen, Denmark

1984
“Portraits of the Urban Poor,” Oaxaca, Mexico, Exhibition of Recent Acquisitions, The Museum of Modern Art, New York, NY
“Anti-City,” (video installation), International Architecture Exhibition, Technische Universität, Berlin, Germany
“Portraits of the Urban Poor,” Oaxaca, Mexico, The American Film Institute, National Video Festival, Los Angeles, California; Anthology Film Archives, New York, New York Video Works

1982-1984
Time Based Arts, Amsterdam, The Netherlands

1982
“Pictura Minuta,” Center for Media Arts, Paris, France; Kunstinitiative, Darmstadt, Germany; Arsenal, Berlin, Germany
“Portrait of Rosa” (video installation), 2nd Intermedia Festival, The Museum of Art, University of Iowa, Iowa City, Iowa
“The Artist and Television,” Satellite Teleconference, Iowa City-New York-Los Angeles (projectdirector)

1981
“Video Portraits,” DAAD Galerie, Berlin, Germany
“Disputatio 1,” Hawkeye Cable Vision, Iowa City, Iowa

1980
“Video Sculpture,” First Intermedia Festival, New York
“Homage to Nadar,” Manhattan Cable Television, New York
“Video Portraits,” Visual Arts Conference, University of Northern Iowa, Cedar Falls, Iowa

1978
“Video Works,” Von der Heydt-Museum, Wuppertal, Germany
“Seriatim,” The Experimental Intermedia Foundation, New York
“Film und Videoarbeiten,” Kreativhaus, Münster, Germany

1977
“Intertext,“ Signals, Hans Breder, Stephen Foster, Mona da Vinci, The Museum of Modern Art, New York

1976
“Video and Film Works 1971-1975,” International Cultureel Centrum, Antwerpen, Belgium; Studentski Kulturni Centar, Beograd, Yugoslavia; LYC Museum, Banks, Brampton, Cumbria, Great Britain
“Intertext,” Hans Breder, Stavros Deligiorgis, Mona da Vinci, Stephen Foster, Anthology Film Archives, New York

1975
“Video and Film Works 1971-1975,” The Kitchen, Center for Video and Music, New York

1974
“Hibridos,” Instituto Politecnico Nacional, Mexico City, Mexico

1972
“Hybrids,” Max Hutchinson Gallery, New York, New York

1971
“Intermedia Works,” 93 Grand Street, New York, New York

1970
“Eclipse,” Lake Macbride Field Campus, Solon, Iowa Eclipse , The University Theatre, Iowa City, Iowa

1969
“Interplay,” (co-director), University of Iowa Arts Festival, Iowa City, Iowa

Gruppenausstellungen (Auswahl)

2019
Ein Fest für die Augen, Kunstmuseum Pablo Picasso, Münster

2017
Serielle Formationen 1967/2017, Daimler Contemporary, Berlin
Touchpiece, Hannah Hoffman Gallery, Los Angeles, CA

2016
OWL 4 – Gegenspieler, Museum Marta Herford

2010
“Crossover,” Hachmeister Galerie, Muenster, Germany

2008
“1968: Art and Politics in Chicago,” DePaul University Museum, Chicago, Illinois
“Live Art on Camera,” Space, London, UK
“Mengenlehre,” Hachmeister Galerie, Muenster, Germany

2007
“Live Art on Camera,” John Hansard Gallery, University of Southampton, UK
“Conceptual Photography 1964 – 1989,” Zwirner & Wirth, New York, NY
“Zeichnungen 1914 – 2007,” Hachmeister Galerie, Münster, Germany

2006
“Surrealism: Then & Now,” Paul Kasmin, New York, NY

2004
“An American Odyssey 1945/1980”, Circulo de Bellas Artes, Madrid, Spain; Domus Artium, Salamanca, Spain; Kiosco Alfonso, A Coruña, Spain; QCC Art Gallery, New York
“An Evening of Intermedia,” The Chicago Art Department, Chicago, IL

2002
“The Armory Show 2002,” The International Fair of New Art, New York, NY
“Hans Bellmer and More Dolls”, Pollock Fine art, London, UK

2000
“The Armory Show 2000,” The International Fair of New Art, New York, NY

1998
„Iowa Artists 1998,“ Des Moines Art Center, Des Moines, Iowa
“Photographic Works,” Percival Galleries, Des Moines, Iowa
Hachmeister Galerie, Münster, Germany
“365 Zeit-an-sagen,” Museum of Installation, London, UK

1997
„Bilder,“ Hachmeister Galerie, Münster, Germany „Art 28 ’97 Basel,“ Messe Basel, Switzerland
„Erotik in der Kunst,“ Galerie Hans Jürgen Siegert, Basel, Switzerland

1996
„Billboards for Democracy,“ Hunter College of the City, University of New York, NY
Hachmeister Galerie, Münster, Germany

1995
„Iowa Artists 1995,“ Des Moines Art Center, Des Moines, Iowa
„Gedankenphotographie und Gute Worte,“ Ruine der Künste Berlin

1994
„The George and Edith Rickey Collection of Contructivist Art,“ Neuberger Museum of Art, State University of New York at Purchase, New York

1993
“ ’68 – Kunst und Kultur,“ Bauhaus Dessau, Dessau, Germany Skulpturenmuseum Glaskasten, Marl, Germany; Städtische Galerie im Rathhauspark, Gladbeck, Germany; Stadtgalerie, Lünen, Germany
„(I)Mobile ’93“, Hachmeister Galerie, Münster, Germany

1990
„Zeichnungen & Druckgraphik von Picasso bis Paladino,“ Galerie Siegert, Basel, Switzerland
Joanne Chappell Gallery, San Francisco, California
„Learn to Read Art: Artists‘ Books,“ Art Gallery of Hamilton, Hamilton, Canada

1989
„Painting Beyond the Death of Painting: Imagistic and Abstract Work,“ curated by Donald Kuspit, First Group Exhibition of American Art in the Soviet Union, Kuznetzky Most Exhibition Hall, Moscow, USSR
„Golden Opportunity: Benefit Art Sale for El Salvador,“ Leo Castelli Gallery, New York, New York
„Small and Stellar,“ Ruth Siegel Gallery, New York, New York The 10th Annual, Chicago International Art Exposition, Navy Pier, Chicago, IL

1988
Galerie in der Prannerstrasse, München, Germany
Schreiber/Cutler, Inc., New York, New York

1986
„Konstruktiv,“ Remberti Galerie, Bremen, Germany

1984
„Abstraktion, Konstruktion, Informel,“ Hachmeister Galerie, Münster, Germany

1983
Hachmeister Galerie, Münster, Germany (Four-Artist Exhibition)

1980
Max Hutchinson Gallery, New York, New York (Four-Artist Exhibition)
„Very Small Paintings, Objects, Work on Paper,“ Collection of Mr. and Mrs. Ulfert Wilke, The University of Iowa Museum of Art, Iowa City, Iowa; Kranert Art Museum, University of Illinois, Champaign, IL; Indianapolis Museum of Art, Indianapolis, Indiana; University of Wisconsin, Milwaukee, Wisconsin; The University of New Mexico Art Museum, Albuquerque, New Mexico; Joslyn Art Museum, Omaha, Nebraska; Indiana University Art Museum, Bloomington, Indiana; Art Gallery, University of Notre Dame, Notre Dame, Indiana; Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah

1971
„Living with Art,“ Collection of Mr. and Mrs. Walter A. Netsch, The University of Iowa Museum of Art, Iowa City, Iowa
„Contructivist Tendencies,“ Collection of Mr. and Mrs. George Rickey, The Art Gallery, State University of New York, Albany, New York; University Art Museum, The University of New Mexico, Albuquerque, New Mexico; The Art Galleries, University of California, Santa Barbara, California; Fine Arts Gallery of San Diego, San Diego, California; Minnesota Museum of Art, St. Paul, Minnesota; Akron Art Institute, Akron, Ohio; Andrew Dickson White Museum of Art, Cornell University Ithaca, New York; Indiana University Art Museum, Bloomington, Indiana; De Cordova Museum, Lincoln, Massachusetts

1969
„Big New Works,“ Richard Feigen Gallery, New York, NY
„Contemporary Art in the Midwest,“ University of Notre Dame, Notre Dame, Indiana
„Painting and Sculpture Today,“ Indianapolis Museum of Art, Indianapolis, Indiana
„Sculpture. Sculpture? Sculpture!,“ Ravina Festival Art Exhibit „Dealer’s Choice,“ Northern Arizona University, Flagstaff, Arizona
„Superlimited: Books, Boxes and Things,“ The Jewish Museum, New York, New York
„Affect/Effect,“ La Jolla Museum of Art, La Jolla, California

1968
„Richard J. Dailey,“ Richard Feigen Gallery, Chicago, Ilinois „Richard J. Dailey,“ The Contemporary Art Center, Cincinnati, Ohio
„Art 1968: Hang Ups and Put Downs,“ Loeb Student Center, New York, New York „Kineticism: System Sculpture in Environmental Situations“ (Cultural Olympiad), Museo Universitario de Ciencias y Arte, Mexico City, Mexico
„Directions 1: Options,“ Milwaukee Art Center, Milwaukee, Wisconsin; Museum of Contemporary Art, Chicago, Illinois
„Made in Plastic,“ Flint Institute of Arts, Flint, Michigan

1967
„Serielle Formationen,“ Studio Galerie, Frankfurt, Germany
„Exhibition of Recent Acquisitions,“ The Whitney Museum of American Art, New York, NY

1966
“Four Directions,” AM Sachs Gallery, New York, New York (Four-Artist Exhibition)
„As Found,“ Institute of Contemporary Art, Boston, Massachussetts
„American Painting and Sculpture,“ Midland Group Gallery, Nottingham, Great Britain PLastica Galeria de Arte, Buenos Aires, Argentina Centro Uruguayo de Promocion Cultural Montevideo, Uruguay; Galerie Punt Vier, Schiedam, The Netherlands

1965
„International Artists‘ Seminar,“ Fairleigh Dickinson University, New Jersey; Riverside Museum, New York NY; Rutgers University, New Brunswick, New Jersey

1964
Galerie Brechbuehl, Grenchen, Switzerland