Hans BREDER

(1935-2017)

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Publications 

Donald Kuspit: Hans Breder – Works / Arbeiten 1964 – 2000

Edited by Heiner Hachmeister at the retrospective at the Museum of Art, University of Iowa, Iowa, 2002. Text Ger/ Eng, 40 p., 15 colour prints, 4 b/w prints, 27 x 22,5 cm, edition of 1000 ex. ISBN 978-3-88829-026-8. Price: € 15.-

Heiner Hachmeister (ed.): Ana Mendieta / Hans Breder

A relationship in documents. With essays by Klaus-Peter Busse & Herman Rapaport, 2010. Intermedia Studies , Vol. 3, Dortmunder Schriften zur Kunst, 182 p. with 69 colour prints and 24 b/w, 27 x 19 cm; 10,6 x 7,5, Hardcover. ISBN 978-3-8391-9810-0. Price € 58,-

Heiner Hachmeister (ed.): Ana Mendieta / Hans Breder. Preferential edition

A preferential edition of 50 books with an enclosed color photowork by Hans Breder La Ventosa (model Ana Mendieta), inkjet print on archival photo paper, 1973/2010, Format: 17,8 x 25,4 cm; 7 x 10 in, signed and numbered on the reverse by the artist. Price: € 250,-

Heiner Hachmeister (ed.): Hans Breder

Text by Garrett Stewart, Münster 1999, Ger/ Eng, 55 p., 16 coulor prints, 4 b/w prints, 25,5 x 21,5 cm, Hardcover of linen, edition of 400 ex. ISBN 978-3-88829-011-4. Price: € 19.-

Heiner Hachmeister (ed.): Hans Breder – Threshold States / Sprach – Schwellen

Künstlerbuch, with texts and statements by George Rickey, Anselm Hollo, Michael Kirby, Herman Rapaport, Stephen Foster, Estera Milman, John Hanhardt, Donald Kuspit, Lucio Pozzi, Allen F. Roberts, Antonio R. Damasio, Hans Breder and an introduction by Heiner Hachmeister, 1992, Eng/ Ger, Design and Typographie Ab Gratama, 130 p., 105 illustrations with 42 colour prints, 26 x 22 cm, edition of 600 ex. ISBN 978-3-88829-110-4. Price: € 34.-
sold out

Heiner Hachmeister (ed.): Hans Breder – Threshold States / Sprach – Schwellen. Special edition

Hardcover, edition of 400 ex., numbered and signed by the artist. ISBN 978-3-88829-115-9. Price: € 99.-

Biography 

* 1935 Herford, Germany – † 2017 Iowa City, Iowa, USA

1953-1955
Apprentice to the painter Woldemar Winkler, Germany

1959-1960
Study of Architecture, Fachhochschule für Design, Bielefeld, Germany

1960-1964
Study of Painting with Professor Willem Grimm, Hochschule für Bildende Künste, Hamburg, Germany

1965
Assistant to the sculptor George Rickey, West Lebanon, New York
Instructor of Art, Summit Art Center, New Jersey

1966
Assistant Professor of Art, The University of Iowa

1968
Founded Intermedia and Video Art Program, The University of Iowa

1970
Co-founded the Center for the New Performing Arts, The University of Iowa

1971
Associate Professor of Art, The University of Iowa

1973/ 74/ 76/ 78
Director, Intermedia Workshop,The University of Iowa, Oaxaca, Mexico

1976
Founded the Corroboree: Gallery of New Concepts

1979
Professor of Art, The University of Iowa

1992
Director, Intermedia Workshop, San Zenone al Po, Italy

1994
Co-director, Intermedia Workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands

1996
F. Wendell Miller Distinguished Professor of Art, The University of Iowa

1998/2001
Visiting Professor, (co-director, Intermedia Workshop), Universität Dortmund, Germany

2000
Emeritus Professor, The University of Iowa

2017
died in Iowa City, Iowa, USA

Grants and awards

1964
Awarded the “Studienstiftung des Deutschen Volkes”, Fellowship for an eight month residency in New York City

1965
International Artists’ Seminar, Fairleigh Dickinson University, Madison, NJ

1969
Co-recipient, Rockefeller Foundation Grant to develop intermedia project

1970
Co-recipient, Rockefeller Foundation Grant which supported the CNPA for a five year period

1974
“Ikarus,” Award: Ann Arbor Film Festival

1974-90
Recipient, annual grants from the National Endowment for the Arts, Washington, D.C. to fund Visiting Artists Program

1984
Recipient, New York State Council for the Arts LINE Grant

1987
Recipient, Interdisciplinary Research Grant, The University of Iowa

1990-91
Co-Recipient, Strategic Planning Grant, The University of Iowa

1993
Special Recognition in Painting, “Iowa Artists 1993,” Des Moines Art Center, Des Moines, Iowa

1995
Best of Show, Edmundson Award in Any Medium, “Iowa Artists 1995,” Des Moines Art Center, Des Moines, Iowa

1998
Gambrinus Fellowship, Universität Dortmund, Germany

2001
Obermann Scholar, The University of Iowa

2007
Honorary Doctorate, University of Dortmund, Germany

Works in public collections

• American Association for the Advancement of Science, Washington, D.C.
• Museum of Art, Ball State University, Muncie, Indiana
• Cleveland Museum of Art, Cleveland, Ohio
• J. Paul Getty Museum, Los Angeles
• Hirshhorn Museum and Sculpture Garden, Washington, D.C.
• Houston Museum of Fine Arts, Houston, Texas
• LWL-Museum für Kunst und Kultur, Münster, Germany
• Daimler Art Collection, Berlin, Germany
• Milwaukee Art Center, Milwaukee, Wisconsin
• Museum Ostwall, Dortmund, Germany
• Smithsonian American Art Museum, Washington, D.C.
• Roy R. Neuberger Museum, State University of New York, New York
• The City of Hannover, Hannover, Germany
• The Museum of Modern Art, New York
• The University of Iowa Museum of Art, Iowa City, Iowa
• The Whitney Museum of American Art, New York
• Walker Art Center, Minneapolis, Minnesota

One man shows (selection)

2017-18
Body sculptures. Photo works, Fifty One Fine Art Photography Gallery, Antwerp, Belgium

2016
Archetypal diagrams. Pastels 1986-88, Hachmeister Galerie, Münster, Germany

2015
Mindscape/The Subtle Body, Solivagant Gallery, New York City
Hans Breder – 1968 to present, Galeria Theredoom, Madrid, Spain

2014
Hans Breder – Mind’s Mirror 1964-2014, Ethan Cohen Gallery, New York City

2013
35 years with Hans Breder, Hachmeister Galerie, Münster, Germany
Collisions fields, Museum Ostwall im Dortmunder U, Dortmund, Germany
Jetztzeit – Present Time, Whitebox Art Center, New York, N.Y

2012
Algus Greenspon Gallery, New York, NY

2011
Weisse Tasse, Museum of Art, Ball State University, Muncie, Indiana

2009/10
Inmixing: A Survey of Works from 1964-Present, Whitebox, NewYork City

2008
Ana Mendieta and Hans Breder: Converge, Lelong Galerie, New York (Duo Exhibition)

2004
Department of Art and Museum of Art, Ball State University, Muncie, Indiana
Mitchell Algus Gallery, New York, NY

2002
University of Iowa Museum of Art, Iowa City

2001
Mitchell Algus Gallery, New York, New York

1999
Hachmeister Galerie, Münster, Germany

1995
Hachmeister Galerie, Münster, Germany

1993
Penine Hart Gallery, New York, New York

1991
Hachmeister Galerie, Münster, Germany

1990
Ruth Siegel Gallery, New York, New York

1989
Schreiber/Cutler, Inc., New York, New York

1988
Schreiber/Cutler, Inc., New York, New York
Hachmeister Galerie, Münster, Germany
American Association for the Advancement of Science, Washington, D.C.

1987
Schreiber/Cutler, Inc., New York, New York
The Fine Arts Center Art Gallery, State University of New York at Stony Brook, New York

1983
The Institute for Art and Urban Resources, Inc., P.S.1, Long Island City, NY

1982
Hachmeister und Schnake Galerie, Münster, Germany

1981
Hachmeister und Schnake Galerie, Münster, Germany

1979
Wolfgang Förster Galerie, Münster, Germany

1973
Illinois Wesleyan University, Bloomington, IL

1972
Richard Feigen Gallery, Chicago, Illinois
Galerie Marcel Liatowitsch, Basel, Switzerland

1970
Richard Feigen Gallery, New York, NY
Richard Feigen Gallery, Chicago, IL

1967
Richard Feigen Gallery, New York, NY
Richard Feigen Gallery, Chicago, IL

1964
Hochschule für Bildende Künste, Hamburg, Germany

Video exhibitions, installations, performances (selection)

2011
Geklemmt: Physical Religion, Theological Reflection & The Pursuit of Ideals: the University of Chicago Divinity School

2010
Corpus, What is in Writing is not to be Read Hans Breder, Herman Rapaport, Elliott Sharp, Whitebox, New York, NY

2008
Bodily Consciousness: An Alchemical Concert, ARC Symposium, New York, NY

2006
Engaging Technology: A History and Future of Intermedia, Ball State University Museum of Art, Muncie, Indiana
Zwielicht, 6th International Bach-Symposium, Dortmund, Germany
Alchemies, School of Art, University of Oklahoma
When I Was A Child, (Hans Breder, Ted Perry) L’antic Theatro, Barcelona, Spain

2005
Alchemies, Centre for the Study of Literature, Theology and Arts, Glasgow, Scotland

2000
Mass in A-minor for Suitcases, St. Petri Kirche/Universität Dortmund, Dortmund, Germany; Des Moines Art Center, Des Moines, IA
My TV Dictionary, Lowlands Festival, The Netherlands
Hymn to Isis, Below 45, London

1999
Blonde Shadow, Global Focus: Human Rights 1998, The University of Iowa, Iowa City, IA; Los Angeles, CA Festival; Charlottesville, Virginia; Dallas Video Festival 1999; The Museum of Contemporary Art and William Smith Colleges, Geneva, NY; Centro de la Imagen, Mexico City; Virginia Film
The Nazi –Loop, Contact Zones: The Art of the CD-ROM, Cornell University, Ithaca, NY; Hobart
Anti-City, De Balie, Amsterdam, The Netherlands
Penumbra: an opera for suitcases, Experimental Intermedia, New York, NY

1998
Point of Reference, The International Association for Philosophy and Literature, UC- Irvine, CA
My TV Dictionary, Paradiso, Amsterdam, The Netherlands

1997
Art Dirt: The Pseudo Online Network, New York, NY
The Master Race, Short Cuts: Anschlüsse an den Körper, Deutsche Arbeitsschutzausstellung der Bundesanstalt für Arbeitsschutz und Arbeitsmedizin, Dortmund, Germany
Veiled in Flesh, Port: Navigating Digital Culture, MIT List Visual Arts Center / Intermedia Studios, The University of Iowa

1996
Shall We Dance?, CU-SeeMe Performative Conference, 7th International Symposium on Electronic Art, Rotterdam, The Netherlands-Artnetweb / New York / The Guggenheim Museum, New York / The Cooper Union for the Advancement of Science and Art- Vancouver Film School / MUU Media Lab, Helsinki, Finland/ Intermedia Studios,The University of Iowa (Originated by Theoricon Works)

1994
Janus-Faced, P.A.R.K. TV, Amsterdam, The Netherlands
The Magnificent Two, Contact (Hans Breder, Harry Heyink) Gerrit Rietveld Academie, Amsterdam, The Netherlands
Dangerous Vision: Video Art and Censorship, The University of Arizona, Distinguished Lecturer/Multicultural Series, Tucson, Arizona

1993
My TV Dictionary, KMSK/ICC, Antwerpen, Belgium
From Here and There Too: Moscow Postcards 1989, Vancouver Art Gallery, Vancouver, Canada

1992
From Here and There Too: Moscow Postcards 1989, Filmoteca de Andalucia, Cordoba, Spain; Statens Kunstakademi, Oslo, Norway; Pittsburgh Filmmakers, Pittsburgh, Pennsylvania; Bilbao Bizkaia Kutxa, Bilbao, Spain; Art Space, San Fransisco, California; Manifesto, Sevilla, Spain; Manifesto, Granada, Spain; Manifesto, Malaga, Spain; Vancouver Art Gallery, Vancouver, Canada

1991
From Here and There Too: Moscow Postcards 1989, Whitney Biennial Exhibition, Whitney Museum of American Art, New York, New York; Cinema Alternative, American Cinematheque, Directors Guild Theatre, Hollywood; Cornell Cinema, Ithaca, New York; Thorne Art Gallery, Keene, New Hampshire; Institute for North American Studies, Barcelona, Spain; IVAM Centre Julio Gonzales, Valencia, Spain

1990
My TV Dictionary: The Drill, NON%*@#&!SENSE, Whitney Museum of American Art, New York, NY
New Video Works 1983-1990, Middlebury College, Middlebury, VT
Under a Malicious Sky, Image Farm, Hiroshima, Japan; Spirit Square Center for the Arts, Charlotte, NC; Art Center of Southeast Texas, Beaumont, TX; Cornell Cinema, Ithaca, NY; Vancouver Art Gallery, Vancouver, Canada; Georgia Museum of Art, Athens, GA; Caja de Zamora, Zamora, Spain; Weatherspoon Art Gallery, University of North Carolina/ Greensboro, Greensboro, NC; National Gallery of Canada, Ottawa, Canada; Universidad de Salamanca, Salamanca, Spain; Museum of Modern Art, Rio de Janeiro, Brazil; Savaasi Cineclub, Belo Horizonte, Brazil; Nabuco Foundation, Recife, Brazil; Federal University of Rio Grande do Sul, Porto Allegro, Brazil

1989
Under a Malicious Sky, Whitney Biennial Exhibition, Whitney Museum of American Art, New York, NY; Principado de Asturias, Spain; Institude for North American Studies, Barcelona, Spain; Walter Phillips Gallery, Banff Centre School of Fine Arts, Banff, Canada; The 3rd Fukui International Video Biennale, Japan; American Museum of the Moving Image, Astoria, New York

1988
My TV Dictionary, The Australian Video Festival, Terrorising the Code – Recent US Video, Artspace, Auckland, New Zealand; Wellington City Art Gallery, Wellington, New Zealand; Mackenzie Art Gallery, Regina, Canada; Vancouver Art Gallery, Vancouver, Canada; Mendel Art Gallery, Saskatoon, Canada; Louisiana Museum of Modern Art, Humlebaek, Denmark; Galerie F15, Moss, Norway; Bergen Commune, Bergen, Norway; Art Center College of Design; Pasadena, California; Centro Insular de Cultura Las Palmas, Canary Islands, Spain; Consejeria de Cultura de Asturias, Oviedo, Spain; Fundacion Municipal de Cultura Valladolid, Spain
Chorus for Celan, Hans Breder, Herman Rapaport, International Association for Philosophy and Literature at Notre Dame

1987
My TV Dictionary, Whitney Biennial Exhibition, Whitney Museum of American Art, New York, NY; Walter Phillips Gallery, Banff, Canada; Institute of North American Studies, Barcelona, Spain; Cornell University, Ithaca, New York; Neighborhood Film/ Video Project, Philadelphia, PA; Krienser Filmtage, Lucerne, Switzerland; Video Free America, San Francisco, CA; Centro de Arte Reina Sofia, Madrid, Spain; Plains Art Museum, Moorhead, Minnesota

1987
My TV Dictionary, The Australian Video Festival, Terrorising the Code – Recent US Video, The Australian Centre for Photography, Sydney; The Experimental Art Foundation, Adelaide; The Australian Centre of Contemporary Art, Melbourne; Centre for the Arts, Hobart
Ursonate 1986, Emily Harvey Gallery, New York, New York; Video and Language: Video as Language, The University of Iowa Museum of Art, Iowa City, Iowa; Renaissance Society at the University of Chicago, Chicago, IL

1986
Ursonate 1986, Video and Language: Video as Language,” LACE, Los Angeles Contemporay Exhibitions, Los Angeles, California
My TV Dictionary, 2nd Videonale, Bonn, Germany
Pictura Minuta, Video-Forum Berlin des NBK, Berlin, Germany
Video Works 1982-1986, UC Video, Minneapolis, Minnesota

1985
3 x for America, Talking Back to the Media, Time Based Arts, Amsterdam, The Netherlands
Anti-City, Kongelike Danske Kunstakademi, Copenhagen, Denmark

1984
Portraits of the Urban Poor, Oaxaca, Mexico, Exhibition of Recent Acquisitions, The Museum of Modern Art, New York, NY
Anti-City, (video installation), International Architecture Exhibition, Technische Universität, Berlin, Germany
Portraits of the Urban Poor, Oaxaca, Mexico, The American Film Institute, National Video Festival, Los Angeles, California; Anthology Film Archives, New York, New York Video Works

1982-1984
Time Based Arts, Amsterdam, The Netherlands

1982
Pictura Minuta, Center for Media Arts, Paris, France; Kunstinitiative, Darmstadt, Germany; Arsenal, Berlin, Germany
Portrait of Rosa (video installation), 2nd Intermedia Festival, The Museum of Art, University of Iowa, Iowa City, Iowa
The Artist and Television, Satellite Teleconference, Iowa City-New York-Los Angeles (projectdirector)

1981
Video Portraits, DAAD Galerie, Berlin, Germany
Disputatio 1, Hawkeye Cable Vision, Iowa City, Iowa

1980
Video Sculpture, First Intermedia Festival, New York, NY
Homage to Nadar, Manhattan Cable Television, New York
Video Portraits, Visual Arts Conference, University of Northern Iowa, Cedar Falls, Iowa

1978
Video Works, Von der Heydt-Museum, Wuppertal, Germany
Seriatim, The Experimental Intermedia Foundation, New York
Film und Videoarbeiten, Kreativhaus, Münster, Germany

1977
Intertext, Signals, Hans Breder, Stephen Foster, Mona da Vinci, The Museum of Modern Art, New York, NY

1976
Video and Film Works 1971-1975, International Cultureel Centrum, Antwerpen, Belgium; Studentski Kulturni Centar, Beograd, Yugoslavia; LYC Museum, Banks, Brampton, Cumbria, Great Britain
Intertext, Hans Breder, Stavros Deligiorgis, Mona da Vinci, Stephen Foster, Anthology Film Archives, New York, NY

1975
Video and Film Works 1971-1975, The Kitchen, Center for Video and Music, New York, NY

1974
Hibridos, Instituto Politecnico Nacional, Mexico City, Mexico

1972
Hybrids, Max Hutchinson Gallery, New York, NY

1971
Intermedia Works, 93 Grand Street, New York, NY

1970
Eclipse, Lake Macbride Field Campus, Solon, Iowa Eclipse , The University Theatre, Iowa City, Iowa

1969
Interplay, (co-director), University of Iowa Arts Festival, Iowa City, Iowa

Group Shows (selection)

2019
Ein Fest für die Augen, Kunstmuseum Pablo Picasso, Münster, Germany

2017
Serielle Formationen 1967/2017, Daimler Contemporary, Berlin, Germany
Touchpiece, Hannah Hoffman Gallery, Los Angeles, CA

2016
OWL 4 – Gegenspieler, Museum Marta Herford, Germany

2010
Crossover, Hachmeister Galerie, Muenster, Germany

2008
1968: Art and Politics in Chicago, DePaul University Museum, Chicago, IL
Live Art on Camera, Space, London, UK
Mengenlehre, Hachmeister Galerie, Muenster, Germany

2007
Live Art on Camera, John Hansard Gallery, University of Southampton, UK
Conceptual Photography 1964 – 1989, Zwirner & Wirth, New York, NY
Zeichnungen 1914 – 2007, Hachmeister Galerie, Münster, Germany

2006
Surrealism: Then & Now, Paul Kasmin, New York, NY

2004
An American Odyssey 1945/1980, Circulo de Bellas Artes, Madrid, Spain; Domus Artium, Salamanca, Spain; Kiosco Alfonso, A Coruña, Spain; QCC Art Gallery, New York
An Evening of Intermedia, The Chicago Art Department, Chicago, IL

2002
The Armory Show 2002, The International Fair of New Art, New York, NY; ARCO, Madrid, Spain
Hans Bellmer and More Dolls, Pollock Fine art, London, UK

2000
The Armory Show 2000, The International Fair of New Art, New York, NY

1998
Iowa Artists 1998, Des Moines Art Center, Des Moines, Iowa
Photographic Works, Percival Galleries, Des Moines, Iowa; Hachmeister Galerie, Münster, Germany
365 Zeit-an-sagen, Museum of Installation, London, UK

1997
Bilder, Hachmeister Galerie, Münster, Germany
Erotik in der Kunst, Galerie Hans Jürgen Siegert, Basel, Switzerland

1996
Billboards for Democracy, Hunter College of the City, University of New York; Hachmeister Galerie, Münster, Germany

1995
Iowa Artists 1995, Des Moines Art Center, Des Moines, Iowa
Gedankenphotographie und Gute Worte, Ruine der Künste Berlin

1994
The George and Edith Rickey Collection of Contructivist Art, Neuberger Museum of Art, State University of New York at Purchase, NY

1993
’68 – Kunst und Kultur, Bauhaus Dessau, Dessau, Germany Skulpturenmuseum Glaskasten, Marl, Germany; Städtische Galerie im Rathhauspark, Gladbeck, Germany; Stadtgalerie, Lünen, Germany
(I)Mobile ’93, Hachmeister Galerie, Münster, Germany

1990
Zeichnungen & Druckgraphik von Picasso bis Paladino, Galerie Siegert, Basel, Switzerland; Joanne Chappell Gallery, San Francisco, CA
Learn to Read Art: Artists’ Books, Art Gallery of Hamilton, Hamilton, Canada

1989
Painting Beyond the Death of Painting: Imagistic and Abstract Work, curated by Donald Kuspit, First Group Exhibition of American Art in the Soviet Union, Kuznetzky Most Exhibition Hall, Moscow, USSR
Golden Opportunity: Benefit Art Sale for El Salvador, Leo Castelli Gallery, New York, NY
Small and Stellar, Ruth Siegel Gallery, New York, New York The 10th Annual, Chicago International Art Exposition, Navy Pier, Chicago, IL

1988
Galerie in der Prannerstrasse, München, Germany
Schreiber/Cutler, Inc., New York, NY

1986
Konstruktiv, Remberti Galerie, Bremen, Germany

1984
Abstraktion, Konstruktion, Informel, Hachmeister Galerie, Münster, Germany

1983
Hachmeister Galerie, Münster, Germany (Four-Artist Exhibition)

1980
Plakat Aktion, Gestaltreform M. Schuhl KG, Frankfurt, Germany 1972
Max Hutchinson Gallery, New York, New York (Four-Artist Exhibition)
Very Small Paintings, Objects, Work on Paper, Collection of Mr. and Mrs. Ulfert Wilke,The University of Iowa Museum of Art, Iowa City, Iowa; Kranert Art Museum, University of Illinois, Champaign, Illinois; Indianapolis Museum of Art, Indianapolis, Indiana; University of Wisconsin, Milwaukee, Wisconsin; The University of New Mexico Art Museum, Albuquerque, New Mexico; Joslyn Art Museum, Omaha, Nebraska; Indiana University Art Museum, Bloomington, Indiana; Art Gallery, University of Notre Dame, Notre Dame, Indiana; Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah

1971
Living with Art, Collection of Mr. and Mrs. Walter A. Netsch, The University of Iowa Museum of Art, Iowa City, Iowa
Contructivist Tendencies, Collection of Mr. and Mrs. George Rickey, The Art Gallery, State University of New York, Albany, NY; University Art Museum, The University of New Mexico, Albuquerque, New Mexico; The Art Galleries, University of California, Santa Barbara, CA; Fine Arts Gallery of San Diego, San Diego, California; Minnesota Museum of Art, St. Paul, Minnesota; Akron Art Institute, Akron, Ohio; Andrew Dickson White Museum of Art, Cornell University Ithaca, New York; Indiana University Art Museum, Bloomington, Indiana; De Cordova Museum, Lincoln, Massachusetts

1969
Big New Works, Richard Feigen Gallery, New York, NY
Contemporary Art in the Midwest, University of Notre Dame, Notre Dame, Indiana
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, Indiana
Sculpture. Sculpture? Sculpture!, Ravina Festival Art Exhibit “Dealer’s Choice,” Northern Arizona University, Flagstaff, Arizona
Superlimited: Books, Boxes and Things, The Jewish Museum, New York, NY
Affect/Effect, La Jolla Museum of Art, La Jolla, California

1968
Richard J. Dailey, Richard Feigen Gallery, Chicago, Ilinois “Richard J. Dailey,” The Contemporary Art Center, Cincinnati, Ohio
Art 1968: Hang Ups and Put Downs, Loeb Student Center, New York, New York “Kineticism: System Sculpture in Environmental Situations” (Cultural Olympiad), Museo Universitario de Ciencias y Arte, Mexico City, Mexico
Directions 1: Options, Milwaukee Art Center, Milwaukee, Wisconsin
Directions 1: Options, Museum of Contemporary Art, Chicago, Illinois
Made in Plastic, Flint Institute of Arts, Flint, Michigan

1967
Serielle Formationen, Studio Galerie, Frankfurt, Germany
Exhibition of Recent Acquisitions, The Whitney Museum of American Art, New York, NY

1966
Four Directions,  AM Sachs Gallery, New York, NY (Four-Artist Exhibition)
As Found, Institute of Contemporary Art, Boston, Massachusetts
American Painting and Sculpture, Midland Group Gallery, Nottingham, Great Britain PLastica Galeria de Arte, Buenos Aires, Argentina Centro Uruguayo de Promocion Cultural Montevideo, Uruguay; Galerie Punt Vier, Schiedam, The Netherlands

1965
International Artists’ Seminar, Fairleigh Dickinson University, New Jersey; Riverside Museum, New York, NY; Rutgers University, New Brunswick, New Jersey

1964
Galerie Brechbuehl, Grenchen, Switzerland